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We are very nearly through the first half of 2007 and I’m ecstatic to describe that HOT FUZZ is easily the funniest movie that I have seen so far this year. I loved Edgar Wright and Simon Pegg’s previous film, SHAUN OF THE Lifeless, and am gratified to picture that this is every bit as laughable at that one, if not funnier.
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The film concerns a highly decorated London police officer who is so gracious at his job that he is shunted off to an assignment in the country because he is so righteous he makes the rest of the force recognize awful. Sanford would seem to be an impossibly idyllic spot, winner several times of the top village in England award. But it is a town that houses mysteries, which our hero Cut Angel gradually uncovers. Most of the film should be predictable, but it is a credit to Wright and Pegg that it isn’t. Even the stout ending, the week point in most such movies, is a delight. Despite a lot of action and special effects and explosions it is never taken over by them. It remains unique and surprising to the very destroy. Although the set is surprisingly appealing for a funny romp, this would be a fun film without it. The gags are consistently smart throughout and every one is executed marvelously. This is a remarkable slicker film than SHAUN OF THE Uninteresting was, though that wasn’t in any design unpolished.
The cast is a astronomical one and they manage to bring the village of Sandford to life in convincing fashion. Pegg is paired with Slash Frost, his costar in SHAUN OF THE Boring. The cast is littered with celebrated actors such as Jim Broadbent, Timothy Dalton, Edward Woodward, Billie Whitelaw, Bill Nighy, Stephen Merchant, and Martin Freeman as well as a rich and varied cast of lesser-known performers. The stout thing about this is that the actors really enhance the film. What I mean is that the success of SHAUN OF THE Listless meant that they could hire a cast of better-known performers. Sometimes this can lead to a decline in the quality of projects (look Robert Rodriguez’s EL MARIACHI and DESPERADO aid to attend and you’ll inspect how a no name cast can free up a director while a sizable name cast can inhibit one), but that absolutely didn’t happen here.
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The film is littered with in jokes and cultural references. There are also a number of references to SHAUN OF THE Wearisome, but it isn’t principal to secure any of these to like the movie. There are also, according to Edgar Wright, a couple of nice cameos, though we have to assume his word for it since neither is recognizable. The crazed Santa that stabs Angel advance the beginning of the film is, says Wright, Peter Jackson, while his ex-girlfriend Jeanine is Cate Blanchett. Again, we have to buy his word for it because her entire scene is played with a surgical cloak over her face so that all we eye are a pair of eyes that do indeed ogle like they could belong to Cate Blanchett.
As anyone can snort, I loved this movie. I enthusiastically recommend it to anyone.
This spot gives us what was in the Brit package.
Disc One
Commentary with Simon Pegg & Edgar Wright
Commentary with Simon Pegg, Slit Frost, Jim Broadbent, Rafe Spall, Kevin Eldon & Olivia Colman
Commentary with Kenneth Cranham, Timothy Dalton, Paul Freeman & Edward Woodward
Commentary with The True Fuzz – Any Leafe & Cleave Eckland
Commentary with Edgar Wright & Guest
Outtakes
Storyboards
Fuzz-O-Meter (Trivia Track)
Inadmissible: Deleted Scenes
Fuzz-O-Meter
Danny’s Notebook
Hot Funk
Theatrical Trailer
UK TV Place 1
UK TV Region 2
Director’s Prick Trailer
Disc Two
We Made Hot Fuzz
Art Department
Friends & Family
Cranks, Cranes & Controlled Chaos
Here Reach the Fuzz
Return to Sandford
Edgar & Simon’s Flip Chart
Simon Muggs
Sergeant Fisher’s Perfect Sunday
Plot Holes
Special Effects: Before & After
Video Blogs
Poster Gallery
Photo Gallery
AM Blam: Making ‘Dead Right’
Dead Just (1993)
Edgar Wright Director’s Commentary on Insensible Right
Simon Pegg and Slit Frost Commentary on Monotonous Right
Disc Three
The Extended Fuzzball Rally
Video Blogs
turbulence training
affilorama blueprint
